Author

Independent Publishing

Browsing

September

BAD: Sydney Crime Writers Festival, (1-2 Sept) Sydney, NSW
Indigenous Literacy Day, (5 Sept) nationwide
Heroines Festival, (5-8 Sept) Thirroul and district, NSW
Write Around the Murray, (5-9 Sept) Albury, NSW
Brisbane Writers Festival, (7-9 Sept) Brisbane, Qld.
Kimberley Writers Festival, (7-9 Sept) Kununurra, WA
Unspoken Words, (7-17 Sept) Sydney, NSW
Odyssey Literary Festival, (13 Sept) Melbourne, Vic.
Poetry on the Move, (13-17 Sept) Canberra, ACT
Melbourne Fringe, (13-30 Sept) Melbourne, Vic.
WestWordsFest, (14-16 Sept) Dubbo, NSW
Tamar Valley Writers Festival (14-16 Sept) Beaconsfield region, Tas.
Sorcery to Spaceships, (15-17 Sept) Armidale, NSW
Australian Reading Hour, (20 Sept) nationwide
Rockingham Writers Convention, (22 Sept) Rockingham, WA
Oz Comic-Con, (22-23 Sept) Brisbane, Qld.
National Young Writers Festival, (27-30 Sept) Newcastle, NSW
Oz Comic-Con, (29-30 Sept) Sydney, NSW
Conflux, (29 Sept-1 Oct) Canberra, ACT

Helen Scheuerer, YA fantasy author and founding editor of Writer’s Edit (an online learning platform for writers), spoke to Independent Publishing about her indie publishing experience.

Describe your latest book in under 50 words. 

Sure! Reign of Mist (out 13 September) is the second instalment in my YA fantasy trilogy, The Oremere Chronicles. It’s a fast-paced epic filled with secrets, deadly mist, forbidden magic and corruption.

Why self-publish?

Over the last four years or so, I learnt a lot about indie publishing through my website Writer’s Edit, and our small press (which published three creative writing volumes called Kindling).

It was thanks to this experience that pretty much as soon as I had the first draft of Heart of Mist I knew I wanted to take the indie route. I yearned for the creative control and the control over my publication schedule. I love the production aspect of publishing, and I wanted to be involved in the process from start to finish.

What year did you start and where are you based? 

I’ve been on the indie publishing scene since 2013 when Writer’s Edit was established, but my experiences as an author are far more recent. My debut, Heart of Mist was released last year (2017) and received a great response, hitting the #1 spot on Amazon in under 24 hours. I finished writing the manuscript for Heart of Mist while I was travelling in the UK but I’m currently based in Sydney, which is where I’m originally from.

How many people did you contract on your book and what did you do yourself?

One of the reasons I’m not a major fan of the term ‘self-publish’ is because it implies it’s a solo effort. For me, I think when self-publishing is done right, it’s done in the same way that the traditional publishing houses put their books together: with a team.

I have a professional cover designer, an editor and a proofreader, as well as a street team (a team of readers and bloggers who review the books and help spread the word) for book promotion. I do my own typesetting and ebook formatting only because I have previous experience with these aspects of production, otherwise I’d be hiring a freelancer for those, too!

What makes your book unique? 

I think perhaps the blurred moral lines throughout the series is unique. None of the protagonists are wholly good, and that’s something I find refreshing about them. They’re all deeply flawed characters, they make mistakes (plenty of them) and we get to see them confront their demons internally as well as on the battlefield.

What has been your biggest success?

 Hitting number one on Amazon in under 24 hours on launch day for Heart of Mist and then maintaining a top 10 position for the next 10 months or so. The official launch at Better Read Than Dead was also a standout—we had over 100 people show up, and the book hit the shop’s bestseller list as well.

I’ve also been able to live off Heart of Mist, which is something I hadn’t imagined for myself at the time. While being a full-time author definitely isn’t easy, it’s been the dream since I was very young.

What has been your biggest challenge?

Sadly, there’s still a lot of stigma surrounding indie publishing and so it can be hard to be taken seriously by bookshops, festivals, events and residencies. Most of the time I’m alright with that … Being an indie is what enables me to do what I love for a living, but sometimes trying to break into the industry can be frustrating.

I’m lucky that I love the different facets of book production and marketing, however it does mean that there’s a fair bit of juggling involved. I’ve especially learned that as I’ve moved onto the later books in the series. At any one time, I’ve got numerous books at different stages of production which can make the actual writing aspect of being an author tricky sometimes!

What would be top tip for those starting out in self-publishing?

Being a self-published author is essentially running a small business. You are the author, the publisher, the treasurer and the marketer. Don’t underestimate how many different hats you’ll have to wear in order to make your book the best version of itself, and to get it into the hands of the right readers. Researching your options and hiring the right team is crucial.

What will you publish next? 

The second book in The Oremere Chronicles, Reign of Mist, will be released on 13 September this year, with the third and final book in the series to be released in 2019. I also regularly publish prequel e-shorts to the series between books.

Newtown’s Better Read Than Dead will be hosting the official launch party for Reign of Mist.

July

ALIA/LIANZA joint 2018 Conference, (30 July–2 Aug) Gold Coast, Qld.
Indie Publishing Forum, (31 July) Melbourne, Vic.

August

Indie Publishing Forum, (1 Aug) Brisbane, Qld.
Red Dirt Poetry Festival, (2-5 Aug) Alice Springs, NT
Byron Bay Writers Festival, (3-5 Aug) Byron Bay, NSW
Shoalhaven Readers’ and Writers’ Festival, (4 Aug) Nowra, NSW
Words in Winter, (4-26 Aug) Daylesford and surrounding towns, Vic.
Indie Publishing Forum, (9 Aug) Sydney, NSW
Bendigo Writers Festival, (10-12 Aug) Bendigo, Vic.
Mudgee Readers’ Festival, (10-12 Aug) Mudgee, NSW
Corrugated Lines, (10-12 Aug) Broome, WA
Cairns Tropical Writers Festival, (10-12 Aug) Cairns, Qld.
New Norcia Writers Festival, (11 Aug) New Norcia, WA
Love Your Bookshop Day, (11 Aug) National
Perth Poetry Festival, (10-19 Aug) Perth, WA
Romance Writers of Australia conference, (17-19 Aug) Sydney, NSW
Writers Unleashed, (18 Aug) Gymea, NSW
CBCA Book Week, (18-24 Aug) National
Mandurah Readers and Writers Festival, (22-23 Aug) Mandurah, WA
Australasian Medical Writers Association Annual Conference, (23-25 Aug) Melbourne, Vic.
Queensland Poetry Festival, (23-26 Aug) Brisbane, Qld.
Canberra Writers Festival, (23-26 Aug) Canberra, ACT
Salisbury Writers’ Festival, (24-26 Aug) Salisbury, SA
Melbourne Writers Festival, (24 Aug–2 Sep) Melbourne, Vic.
Ashgrove Literature Festival, (27-30 Aug) Ashgrove, Qld.
Rose Scott Women Writers’ Festival, (31 Aug–1 Sep) Sydney, NSW

The Australian Society of Authors (ASA) has appealed to authors, including self-published authors, for information to help it campaign the government to extend the current Public and Educational Lending Rights (PLR and ELR) schemes to cover digital publications.

The schemes, intended to compensate authors and publishers for the loss of potential sales income due to their books being available for free through public and educational lending libraries, do not currently cover the lending of ebooks or audiobooks.

The information requested by the ASA, which can be sourced from author royalty statements, will help the society to understand ‘the complicated world of ebook lending’ and how publishers account to authors for ebooks that are licensed to library aggregators (such as OverDrive).

‘We don’t wish to see our digital-only writers disadvantaged and would love to see this pot of money expanded, and, at least, shared more equitably among Australia’s authors and illustrators,’ said the ASA.

Self-published authors can advise the ASA on whether their ebooks are available to libraries for loaning and share their experiences in dealing directly with aggregators.

For more information, visit the ASA website.