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Many authors and self-publishers would have come across the term ‘print on demand (POD)’ during the course of publishing, but there may be some confusion around what the term means exactly. How does POD work? How does it differ to other kinds of publishing or printing? And most importantly, should you do it? Self-publishing expert and founder of Pick-a-woo woo Publishing Group, Julie-Ann Harper, gives us a breakdown of the terms used, the processes involved and the benefits of POD.

What is print on demand?

Print on demand (POD) is simply a printing technology available to all publishers (including self-publishers/DIY publishers, author-publishers, independent and small press) for low print quantities. Instead of having to manufacture hundreds or thousands of books at any one time, as ‘offset’ printing does, POD allows you to affordably produce quantities to order. There’s no inventory being stored, or anticipated demand being measured. You simply get an order and print a book, one at a time.

Trade publishers, small press and ‘pay to publish’ organisations all use POD as part of their overall business plan. It allows them to test the demand for a new genre, author or series and then print traditionally (offset) if successful with readers. Publishers of academic or low-demand content use POD for front list titles too.

One of the most important things to remember about this technology is that it gives every self-publisher, with a printed book, a way to inexpensively bring a book to market. This is a publishing paradigm shift. Before print on demand, a self-publisher had two main options:

  1. Predict sales, offset print (bulk) and then warehouse the number of copies they thought could be sold. Unfortunately, the estimation was often wrong.
  2. Pay to publish through a third party (known as vanity publishing or predatory publishing because of the inflated costs involved and preying on authors ignorance).

POD offers the opportunity to print and distribute at low cost and low risk.  There are four POD providers that Australian authors can look to—CreateSpace, Lightning Source, IngramSpark and Blurb—with some of these providers also offering ‘production services’ to help create your book. If you have a book file ready, we recommend dealing with IngramSpark directly for POD as, besides having global distribution and printing, their local printing facility makes shipping books within Australia more cost effective. However, you will still have the task of marketing and promoting your book no matter which platform you use.

How POD Works (simplified)

  1. A digital file of the book is stored on computer.
  2. The book title is added to various distribution channels and online bookstore catalogues.
  3. A customer orders the book from:
    • An online store such as Amazon, Barnes and Noble, Book Depository etc.
    • From a retail outlet or bookstore via phone or visitation.
    • From a publisher or author website.
  1. The customer pays for book with:
    • Credit card
    • PayPal
    • Cash or cheque (at actual retail outlet)
    • Some other method
  1. The order is then entered into the electronic POD system.
  2. The book file is downloaded to a POD press from data storage.
  3. The POD press automatically prints and binds the book as part of a single integrated process.
  4. The book is shipped:
    • Direct to customer (drop-shipped).
    • To a bookstore for pick up at the store.
    • To an online store’s shipping department for reshipping to the customer.

A snapshot of the benefits of POD 

• Eliminate the need for inventory. No warehousing and fulfillment costs—get an order, print a book, one at a time.

Simple to revise, if needed. Titles can easily be updated or corrected. Add a great endorsement or fix a typo you cannot live with (it happens).

Test the market. For most self-publishers, it is an ideal solution to test the demand of your book.

Easily fulfill orders. Remove the burden of shipping your book to your readers, and continually make a title ‘available’ online forever.

Excellent print quality. The print quality of POD has improved to the point that it is virtually indistinguishable from a traditionally printed book. With cutting-edge inkjet print technology, sharp graphics, crisp text, and vibrant colour, it is indistinguishable from an offset copy.

Low risk. Reduces self-publisher’s financial risk to bring a book to market.

Variety of options. Print in paperback, case laminate (hardcover) and cloth based hardbacks (with or without jackets); a wide variety of trim sizes (including landscape now); black and white, standard colour or premium colour. The offerings are constantly being expanded.

Distribution. You can tie your POD book in directly with distribution to 39,000 retailers and libraries, if you choose IngramSpark who are considered the global leader of this technology.

NOTE: Some books do not lend themselves to POD because of the design, or trim size, or if it is a book designed with foldouts or pop-ups. Furthermore, when a book really starts selling well, print on demand might not be the most economical way to go. We usually advise the tipping point being 500 books to review the printing platform utilised.

Julie-Ann Harper has 25 years of experience in publishing, business training, self-publishing workshops and presentations. Julie-Ann is a passionate advocate towards true self-publishing and helping authors to view publishing as a business. Pick-a-WooWoo Publishing is the only Australian company listed under IngramSpark’s Resource Experts page as an ‘IngramSpark Self-Publishing Friend’.

When the Independent Publishing newsletter was launched in November 2017, we put together a reader survey to obtain a snapshot of our audience and to ask for feedback on the content that the independent publishing audience would want to know more about. The survey closed on 31 December 2017 and had 199 anonymous responses.

The majority of the respondents were either authors or self-publishers, with 41.1% of respondents identifying as authors and 37.5% as self-publishers. Small publishers that produce fewer than 20 titles per year accounted for six percent, while about one percent of respondents identified as a medium-sized publisher (with fewer than 100 titles per year). Publishing service providers (book designer, publicist, editor, etc.) accounted for around two percent of respondents. Interestingly, 11.6% of respondents ticked ‘other’ and further qualified themselves in the comment field as ‘hybrid authors’, ‘self-published authors’, ‘indie publishers’ or other combinations of the categories provided in the survey.

 

 

Nearly 89% of respondents said they would like to read more local (Australian) self-publishing news, and nearly 91% of respondents want to learn more about the products and services available to help them publish. About 81% would find it useful to hear about other self-publishers and their journeys. More than half (60.9%) the respondents would find it valuable to learn about professional development opportunities.

In response to the question, ‘What would you most like to read about in this newsletter?’, 44.4% of respondents selected ‘do-it-yourself (DIY) publishing tips’, 23.2% of respondents chose ‘Q&A with other self-published authors’ and 17.1% said they wanted ‘publishing industry news’. Information on events and festivals was also of interest to 10.1% of respondents, while special offers and ISBN information both drew 2.5% of the vote.

 

 

The survey also provided readers the opportunity to voice their comments or feedback. The overall feedback showed just how many authors/publishers/indies there are out there who are taking on self-publishing with an entrepreneurial spirit and business-minded professionalism.

New technology and services abound for those who need a helping hand, yet there is definitely a confidence gap in some areas. Many comments referenced the confusion or difficulty faced by self-publishers around distribution and getting books into bookstores. Requests were also made for more information on: print-on-demand, small cost-effective print runs, printers in general, marketing and promotion, finding readers and reputable editors, how to go about book launches, and copyright.

Independent Publishing recognises the need for more reliable, local sources of information, and will endeavor to close gaps in knowledge and address the issues facing independent publishers and self-publishers.

Western Sydney literary group Sweatshop has launched the Writers’ Collective for Diverse Women, a new program of workshops for Indigenous and culturally diverse women writers residing in Western Sydney’s.

Funded by Create NSW and organised by Sweatshop manager and editor Winnie Dunn, the initiative will run monthly writing workshops in Parramatta and Bankstown starting in February 2018. A published anthology showcasing the poems and short stories of the workshop participants will be launched at the Sydney Writers’ Festival in 2019

Each workshop will also feature a prominent Australian female author in attendance as a special guest facilitator, including Michelle de Kretser, Julie Koh, Michelle Cahill, Randa Abdel-Fattah and Sarah Ayoub.

Dunn said she hopes the project will create a ‘safe and critical space to foster literature that is written, edited and designed solely by culturally diverse women’. ‘Australian literature often overlooks stories written by women from non-English speaking backgrounds … As a Tongan-Australian from Mt Druitt, I’m thrilled to bring together such a dynamic and diverse mix of established and emerging female authors from all over New South Wales.’

Sweatshop is encouraging culturally diverse women from Western Sydney to contact the organisation via its website if they are interested in attending the workshops.

This news story first appeared in Books+Publishing on 11 January 2018. Books+Publishing is Australia’s leading source of print and digital news about the book industry, keeping subscribers up to date with the latest industry news, announcements, job advertisements, events, trends and more.

The ISBN agency will be closed from midday on 22 December 2017 to 2 January 2018.

Throughout this time, however, you will still be able to purchase ISBNs, barcodes and other self-publisher products and services via the MyIdentifiers website.

For any urgent queries email myidentifiers@thorpe.com.au, using your ISBN as a reference. The team will respond as soon as possible when the agency reopens.

The ISBN team would like to wish you a happy festive season.