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The Alliance of Independent Authors (ALLi), a UK-based non-profit independent author organisation, has launched a new campaign called Self-publishing 3.0, according to a press release about their forthcoming white paper on the concept.

The #selfpub3.0 campaign promotes ‘true independence’ for authors, encouraging authors to focus on their own websites as the ‘hub’ of their publishing business rather than putting all their intellectual property into the hands of other businesses, such as trade publishers or self-publishing services.

ALLi founder Orna Ross said that the rise of personal branding, mindful consumption and mobile phone reading among consumers, combined with digital publishing technology, has created ‘more favourable conditions than ever before for author businesses’.

‘But only authors who have developed an independent, creative and empowered mindset, who understand the value of their intellectual property, can benefit from these opportunities,’ said Ross.

The campaign also encourages authors to have a variety of income streams such as direct sales, subscription models and crowdsourcing, and to have a wide distribution network using retailers and other services to distribute in all formats.

For more information on ALLi and the campaign, click here.

As much as writing books is a passion and business for authors, selling books is a passion and the only business for independent booksellers. And while independent bookstores are known for being wonderful community gathering places with staff that genuinely care about the book industry, that doesn’t mean they can do it all for the love. They still need to sell books. Everyone has to make a living in this business, and this is what the independent booksellers need, for you and your book, in order to succeed in selling it.

You

1. Be a good customer

Don’t just know a store exists via Google searches—actually know them. Cultivate relationships with indie booksellers by purchasing books from their stores and encouraging your friends, family, and fans to do so as well. It makes sense to support your local independent bookstore before you ask them to support you. It’s one way to be a good literary citizen—and it is good business, too.

Independent bookstores have become more than just a place to buy a book; they are constantly evolving. Indie bookstores are community hotspots—supporting the local community, creating publishing programs, publishing and selling their own unique content, and hosting author events. When pitching your book to an indie bookseller, consider the unique ways your book ties into supporting the bookstore and the community. Your support of them will make them more likely to support you.

Before you approach a bookstore owner, research his or her background. Get a feel for the shop’s customers and the types of books the store typically promotes and sells. Take a look at the store’s social media accounts and see what kinds of author events they typically host. When you meet with the owner, use this information in your pitch. If they have a certain type of customer that will be interested in your book, mention it.

2. Booksellers do not want to hear about your success at Amazon.com!

It’s great to have success on Amazon, whether as a traditionally published author or self-published author, but consider the fact that indie bookstores have to compete with them before you brag about how well your book is selling there; it won’t help you get your book in your local independent bookstore. In fact, Amazon is their biggest competitor, which is one way IngramSpark’s self-publishing platform is uniquely positioned to help indie authors achieve more success in this particular retail market. Independent booksellers reject stocking books published via CreateSpace or Amazon KDP, because their sales of those titles ultimately profits their biggest competitor: Amazon.

3. Know a store’s demographic

A bookstore owner wants to make sure your book aligns with their customers. Niche bookstores may only carry a certain genre. Know your genre and your target reader. Be able to accurately and concisely explain what your book is about. That way, you and the bookstore will have a better idea if it fits with their readership.

Spend enough time at the store you’re targeting to understand who their customers are. Their readers won’t be your readers if your readers don’t shop at that kind of bookstore. Familiarise yourself with their inventory and see if your book fits in. If an indie bookseller does not foresee his/her customers buying your book from their store, he/she is not going to buy it from you.

Your book

4. Discounted and returnable

If you want your book to flow easily into independent bookstores, then consider the 55% wholesale discount and make it returnable. The book industry is a returnable industry, which means bookstores will expect to be able to return books they don’t sell and get a credit for their return.

Keep in mind that a bookstore is not likely to buy numerous copies from you outright. They want to be sure your book will sell before they take on more than one or two copies. If you’re self-published, print-on-demand services are a cost-effective way to get your book out there. A bookstore will be more likely to buy your book if the distributor has return capabilities, such as IngramSpark’s, and if you set bookstore-friendly terms regarding the wholesale discount. Beyond the fact that it’s run by their competition, bookstores don’t generally take CreateSpace or Amazon KDP publications because they don’t allow returns.

5. Quality product

Bookstores want to be about 90% sure that they can sell a book before they buy it, so that means that you have to give the bookstore a quality product. Something that stands out qualitatively and fits in beautifully genre-wise.

6. Easily shelved

Your book needs to be easily shelved by the bookstore. Booksellers don’t want something that looks or sounds so unusual that no one knows where to put it. So if you have the idea that your book is completely unique and there is nothing like it out there in the universe, you need to visit a lot of stores and libraries and go online and figure out what people will be looking for when they discover your book.

It’s one of your jobs as a self-publisher to figure out how people will actually discover your book, and if your book is labelled or packaged so uniquely that the bookstore doesn’t know where to put it on the shelf, then you’re just creating difficulty for yourself. Booksellers aren’t interested in books that stick out for the wrong reasons. Visit your local bookstore and take note of the trim sizes, book cover imagery, and interiors. Your book doesn’t need to look like a clone of everyone else’s, but if you notice themes for certain genres, stick with that, because they most likely represent industry standards for a particular genre that shouldn’t be tinkered with.

7. Appropriate retail price

Make sure your book has an appropriate retail price. There are some books that are more manuals and textbooks where you won’t be printing very many or there is such a specific demand for them they’re what some people call a destination book and you can charge a premium price for them. There are others that might be more fluff or impulse buy and those would have a lower price. This is where your market research comes in. You want your book to fit into its category and stand out qualitatively so that the end buyer doesn’t end up with sticker shock. ‘Oh, all these other textbooks are $48.95 and here’s one that’s $9.95. Huh, it might not be very good.’ Make sure you do your research to find out with which titles yours could most closely be compared.

8. Easy ordering

Having your book available via IngramSpark will be of great comfort to booksellers. Ingram is well-respected within the book industry and a reliable resource to booksellers when it comes to someone supplying them with books.

A bookseller won’t want to deal with inconvenient distribution. When they work with distributors, they can order, sell, and invoice books in bulk. But working with indie authors means they have to do all of this individually with each author. Using a reputable distributor for your book will be more convenient for the bookstore, and the easier you make it for an indie bookstore to sell your book, the more likely they are to be willing to try.

9. Publisher/author support on the book sale

What booksellers are looking for is what kind of publisher/author support they’re going to get from you for the sell through. There are hundreds of stores and outlets in this country, so what is going to draw an individual to a particular store to look for your particular book?

It’s the bookstore’s job to sell your book, not market it. Busy bookstores may be approached by authors often, and they are inundated with consignment offers on any given day. You will be expected to fulfill your end of the bargain in the form of marketing. The bookstore wants your book to sell, but don’t expect the store to do the legwork for you. Have a solid marketing plan in place and let the bookstore owner know what it is. It will show them that you take initiative and have confidence that your book will sell.

If you want your book to sell at a specific store, start a grassroots book marketing campaign to make it happen. Have your friends and family who live and/or shop near the store request copies of your book. Have them stagger their requests so your book establishes a consistent sales record. When you approach that store to ask if they’ll stock your book, management will be more likely to say yes if they’ve already sold some copies of it.

Plan your strategy for selling your book to independent bookstores ahead of time, and start by frequenting those stores. Know what they’re selling and to whom, and see if your book is a good fit for each store you approach. If indie bookstores are a sales channel you’re interested in pursuing for your book, utilise these tips, and self-publish your books with IngramSpark.

This is an edited version of an article first published on the IngramSpark blog on 18 October 2018.

Many websites generate an ISBN barcode for free—what is the advantage of purchasing an ISBN barcode from MyIdentifiers?

First, a few things about barcodes for your books:

  • The barcode which is generated from your ISBN is called a 13 digit EAN barcode, or Bookland EAN, and is specific to the publishing industry. Although the EAN barcode is much like that used for general retail merchandise, the numbering system used to generate the barcode for books is different.
  • Your ISBN needs to appear at the top and bottom of your barcode graphic.
  • ISBNs and their associated EAN barcodes will then identify you as the author or self-publisher on established bibliographic databases such as Books in Print (in Australia, you need to send a copy of your title for Legal Deposit to the National Library of Australia).
  • Not only does your ISBN need to be a part of your EAN barcode, but the barcode graphic needs to be very clear to ensure successful scanning at point of sale.

While you are entirely within your rights to get your barcodes from other sources, there are advantages to buying one from the ISBN agency:

  • Obtaining your barcode from your MyIdentifiers account is quick and convenientit’s a one-stop-shop for your ISBN and barcode needs.
  • You can create and download the barcodes as and when you need them.
  • You can also see at a glance your list of ISBNs and the barcodes attached all in the one place.
  • You can be certain of the clarity and quality of your barcode.

Lastly, if you choose to go elsewhere, rather than looking online, we recommend that you start by asking your printer if they have software to create an EAN barcode using your ISBN. You will have, by that stage, a good working relationship with your printer and you can be more certain of obtaining a quality barcode from them.

The Indie Publishing Forum—a joint initiative by the Small Press Network (SPN), IngramSpark, Books+Publishing and the Australian Society of Authors (ASA)—launched earlier this year with sessions held in three Australian cities from late July to early August. Debbie Lee, Ingram Spark’s content acquisition and business development manager, summed up the inaugural program for Independent Publishing.

This year saw the advent of the Indie Publishing Forum—a unique, three-city event designed to bring small publishers and self-publishers together with industry experts, with a program covering the gamut of topics relevant to this growing market base.

Director of IngramSpark US Robin Cutler kicked off proceedings by discussing her expansive career encompassing book design, commissioning in the academic space, establishing a publishing company, working at CreateSpace, and setting up what is now a flourishing self-publishing platform, IngramSpark. Cutler highlighted the ‘Author as Publisher’ phenomenon as a gamechanger, spurred on by the technological revolution of print-on-demand, coupled with access to a global distribution network.

Other aspects of this vibrant publishing ecosystem were explored from diverse yet interconnected perspectives. Booksellers in each city—Brunswick Bound’s Megan O’Brien (Melbourne), Avid Reader’s Sarah Deasy (Brisbane) and Lindfield Bookshop’s Scott Whitmont (Sydney)—expressed common themes: become a loyal customer before you start plying your wares at your local bookshop; and avoid publication at peak periods (you won’t get a look-in during the Christmas rush!).

Gary Pengelly of MyIdentifiers Australia (also known as the Australian ISBN agency) stressed the importance of good metadata in aiding discoverability, as well as the value of owning your own ISBN. If you plan to publish in multiple formats (with each format requiring its own ISBN), it is more cost effective to buy multiple ISBNs rather than purchasing one at a time.

Author service providers Julie-Ann Harper (Pickawoowoo), Alex Fullerton (Author Support Services) and Jenny Mosher (Mosher’s Business Support) each spoke about the need to view your ‘publishing self’ as a business, and to be sure to employ the professionals—editors, designers, cover artists—for an all-round quality product.

Ellie Marney, teacher and YA fiction writer, and Kim Wilkins, UQ academic and prolific fantasy novelist, shared their tips about traditional and self-publishing options. Both agreed that each book has its own ‘needs’ but whatever the route to fruition, your role as author has just begun when you type that last page. Building an online platform and engaging with readers is key.

Black Inc. international director Sophy Williams recounted how the publisher maintains a diverse list spanning history, politics, biography, current affairs, fiction and poetry. By contrast, Bronwyn Mehan of Spineless Wonders spoke of specialising in short stories and ‘microlit’ fiction, with a foothold firmly in the print-on-demand and digital space.

The integral role played by industry associations was ably demonstrated by Tim Coronel, general manager of the Small Press Network and MC extraordinaire, as well as by representatives from other industry groups. Writers Victoria director Angela Savage highlighted the amazing opportunities, workshops and guidance offered by state-based and regional writers groups; Olivia Lanchester, legal services manager for the Australian Society of Authors, advised about copyright and contractual matters; and Queensland Writers Centre CEO Lori-Jay Ellis led the floor at a full house (250 delegates!) in Brisbane.

Alongside all of these guests was one of the industry’s stalwarts, distributor Dennis Jones, who fought for the little guys and lifted so many indie publishers into the retail space. Sadly, Jones’ company Dennis Jones & Associates is no longer in business, but its legacy truly lives on. And so too will the Indie Publishing Forum. The structured two-hour format, complete with audience Q&A, proved to be a winning formula.

Proceeds from ticket sales resulted in a $1000 donation to the Indigenous Literacy Foundation.

Pictured: A panel at the Indie Publishing Forum in Brisbane. Credit: Queensland Writers Centre